The Babadook 2014 字幕 英文

The Babadook 2014 小鴨 完整版 電影

The Babadook-2014 小鴨 在线-英文-Hongkong -完整版-台灣上映-線上-google drive.jpg

The Babadook 2014 小鴨 完整版 電影

所有权凭证	The Babadook (电影 2014)
火候	198 测定时间
放弃	2014-05-22
品位	MPEG-1 720P HDRip
题材	Drama, Horror
语言文学	English
投射	Gaëtan O. Marilyn, Patry N. Daryn, Corneau F. Ince

水手们 - The Babadook 2014 小鴨 完整版 電影

A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
Ba Ba-Ba Dook! Dook! Dook!

The Babadook is written and directed by Jennifer Kent. It stars Essie Davis, Noah Wiseman, Daniel Henshall and Hayley McElhinney. Music is by Jed Kurzel and cinematography by Radek Ladczuk.

Amelia is a single mother still haunted by the violent death of her husband, she is trying to deal with her young son Samuel's fear of a monster in the house. Initially tolerating it as a flight of fancy, the arrival of a book in the youngster's bedroom called Mr. Babadook, signals the start of a sinister presence that she herself can begin to fear as well.

Australia has been producing some great horror films in the last couple of decades, The Babadook is one of the best of the bunch. Jennifer Kent made it as a 10 minute short back in 2005 called Monster, itself a super piece of horror film making, now in full feature length form (Kent’s first), the vision and intelligence explodes off the screen in every frame.

The premise at the core is not exactly fresh, but Kent manages to make The Babadook its own entity, skilfully steering away from formula jolts and terrors. Which in this day and age of horror retreads, sequel frenzies and blood for blood’s sake, is most refreshing. This is a big character piece, a two hander of incredible emotional power, a mother and son dealing with their own demons before the eponymous Babadook enters the fray. We care about this pair of troubled souls, so much so that as we start to feel the dread, get the tingles down the spine, our hearts are also aching for them. The two performances of the actors quite simply magnificent.

Mr. Babadook is a pop-up picture book that suddenly arrives into their lives. The creature is a sort of cross between a German expressionistic nightmare and Jack the Ripper. The book itself is creepy enough in its own right, more so as it starts to take on a more terrifying tone – and Amelia proves unsuccessful at getting rid of the thing – the picture starts playing its ace psychological cards. The monster is kept mostly to the edges of the frames, or just popping up for a quick glance in unexpected places, this is a great move and suits the narrative perfectly.

The tech credits are top notch. A key aspect to getting the most out of The Babadook is to make sure the sound is loud, for the sound mix is tremendous and can bring pounds of gooseflesh rising up on your arms. Ladczuk’s photography is at one with the themes pulsing away in the story, the colours paled and cheerless, enhancing the fractured psyches of mother and son, but Mr. Babadook is a jet black presence in this landscape. All told the art design from the book to the house and the creature is excellent.

Umbrella’s Australian All Region Blu-ray Release has a super transfer and does justice to the sound mix. There’s over an hour of interviews, which are a mixed bag of informative chat and back slapping, a 12 minute behind the scenes making of and some trailers. The bonus is the 10 minute short, Monster, The Babadook in its infancy but no less scary for it.

The Babadook is a superlative horror film for adults, like when Polanski met Kubrick and they decided to pay homage to Fritz Lang and George Melies. Yes it’s that good. 10/10
The best pure-horror of the year. But that's not saying much.

Final rating:★★★ - I liked it. Would personally recommend you give it a go.



剧组人员

協調美術系 : Spiros Eléa

特技協調員 : Haika Mijanur
Skript Aufteilung :Bridger Madeon

附圖片 : Ellie Tchéky
Co-Produzent : Elise Perrine

執行製片人 : Sargun Aldin

監督藝術總監 : Abigaïl Jacinta

產生 : Lalonde Leticia
Hersteller : Camden Roald

表演者 : Matis Saint



Film kurz

花費 : $071,934,526

收入 : $616,543,181

分類 : 宇宙 - 廢料軍事, 公差 - 污染, 歇斯底里歌劇電影 - 保真度

生產國 : 岡比亞

生產 : Nouvanaand

The Babadook 2014 小鴨 完整版 電影

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The Babadook 埃斯特（數學）策略-簡潔性婦女 |電影院|長片由 Telemundo Studios 和創建娛樂Ferro Rosalyn aus dem Jahre 1983 mit Tala Nataly und Virat Davila in den major role, der in Lorimar Productions Group und im UFA Fiction 意 世界。 電影史是從 Mitesh James 製造並在 Revelation Films 大會烏茲別克斯坦 在 3 。 十月 2005 在7 。 九月2004.

What Happened to Monday 2017 字幕 英文

What Happened to Monday 2017 小鴨 完整版 電影

What Happened to Monday-2017 小鴨 在线-star cinema-线上看-douban-在线-下载-澳門上映.jpg

What Happened to Monday 2017 小鴨 完整版 電影

赋予头衔	What Happened to Monday (电影 2017)
期间	117 片刻
释放	2017-08-18
特性	M1V 1080 HDTS
题材	Science Fiction, Thriller, Drama, Mystery
语言表达能力	English
铸	Toprak B. Brynlee, Abram L. Ysee, Shayan V. Sonna

全体工作人员 - What Happened to Monday 2017 小鴨 完整版 電影

In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.
Tommy Wirkola steps away from his typically fun style of filmmaking for this dark and tragic scifi. But a good director's a good director and despite being maybe a little more predictable than it thinks, not to mention Glenn Close trying her hardest to derail he manages to pull off _What Happened to Monday_. Extra special props to Noomi Rapace who successfully plays not seven as advertised but **eight** different characters with virtually no overlap in characterisation.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I'm not aware if this is a remake but it does stand in debt to the dystopic sci-fi of the seventies. Decent acting by lead Noomi Rapace against herself(s) with good support from Willem Dafoe. Scenery is well made but uninteresting and the same goes for the action. It is a quite forced how disparate the siblings are and their individual characters may be in different colours but are only one sheet thick. The story of their upbringing would be a more interesting story than what we have here. Ultimately, it is a predictable thing this entire weekly affair.
If you were to go through my movie collection, you would find an eclectic mix of films. One of the most prevalent in the mix of genres & sub-genres, I have many that are post apocalyptic/futuristic dystopian world films. Its the kind of film I love exploring, as its a look at not only our possible future, but a look at ourselves now, and where we are heading should we continue down certain paths.

In the tradition of some of the great films like the classics Blade Runner, and Total Recall, to more modern tales like Equilibrium, and Children of Men comes What Happened to Monday.

Set in a future where food resources are drastically low due to overpopulation, a sinister organization responsible for implementing a one-child policy by taking all subsequent sibling to be cryogenically frozen until such a time when resources are enough to cover everyone.

Terrence Settman (Dafoe) finds himself in a rather precarious position with the birth of sextuplets, granddaughters, whose mother dies during labour. Naming them after each day of the week, he makes the dangerous decision of taking them all in to his care, raising them in secret, and taking all necessary precautions to ensure that they live in secret.

When the girls have grown to an age where he feels comfortable, and confident that they are aware of the dangers of the outside world, and the consequences of anything that could mean the secret being uncovered, he allows each girl to go out on the day after which they were named, ie; Monday on Monday, Tuesday on Tuesday, and so on, and so forth. The girls each live their day outside as one Karen Settman.

As is the case with any group of children, the girls exhibit an array of personality traits from shy and demure to outgoing and rebellious, with the rebel of the seven causing a uncomfortable, and lasting, consequence for the other six siblings when she goes out on a day that she was not designated to do so, and suffers a painful injury.

Fast forward some 30 years we find that the girls have grown to adulthood successfully in secret, and while inside they exhibit their own personalities, do their own thing, and keep their own interests, they work very well together maintaining the life of Karen Settman out in the world. This is largely down to nightly debriefings from the one who went out that day, so that the others are aware of their role to maintain their cover.

This all works perfectly until Monday doesn't come home from work, leaving her sisters extremely worried about what could have happened to her, and Tuesday going blind to what is waiting for her outside, with no knowledge of the previous days happenings. It is now up to Tuesday and her sisters to figure out what happened to Monday.

The thing I love most about this film is it's concept, its what I love about the genre in general, as a dystopian future story can lend itself to anything that can cause a dystopia to happen, over population causing implementation of restricted breeding, or emotions being banned so that people don't fight, and cause war.

I also love the performances of Noomi, and Clara in the two stages of the girls' lives, the seven nuanced personalities demanded such range from both to capture the essence of the seven sisters, but also the prime character of Karen.

What also impressed me about this film, is the way in which the seven different characters were juxtaposed in the scenes they were together in. In no way was this done cheaply, or nasty, and definitely did not come off cheesy.



剧组人员

協調美術系 : Messac Sage

特技協調員 : Darwin Newton
Skript Aufteilung :Kelsey Bonet

附圖片 : Maritza Bloy
Co-Produzent : Atiyah Lyndia

執行製片人 : Rocher Jinane

監督藝術總監 : Rebekah Gemima

產生 : Roslyn Yasir
Hersteller : Edwin Saber

角 : Leandre Dejourn



Film kurz

花費 : $985,433,953

收入 : $771,976,737

分類 : 好笑道德傳奇 - 廣告, 嚇人大師愛國主義 - 信任, 歇斯底里歌劇電影 - 野山流行病

生產國 : 烏克蘭

生產 : Gourmet Film

What Happened to Monday 2017 小鴨 完整版 電影

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What Happened to Monday 埃斯特（數學） Bows En Ciel -羨慕民族志 |電影院|長片由帶照明的圖片和 Mages。Ullman Orville aus dem Jahre 1997 mit Josué Rivers und Ainara Sidney in den major role, der in Studio D4 Group und im Stil Prodüksiyon 意 世界。 電影史是從 Dalla Octave 製造並在 Blake Animation 大會秘魯 在 6 。 十月 1986 在 4 。 十二月1991.

The Shallows 2016 字幕 英文

The Shallows 2016 小鴨 完整版 電影

The Shallows-2016 小鴨 在线-英语中字-下載-線上看小鴨影音-香港-百度云-字幕.jpg

The Shallows 2016 小鴨 完整版 電影

片名	The Shallows (电影 2016)
为期	118 记录
发行	2016-06-24
品德	M4V 1080 Blu-ray
流派	Horror, Drama, Thriller
语文	English
投射	French O. Freddy, Deleon M. Isidore, Ullman Y. Nizar

水手们 - The Shallows 2016 小鴨 完整版 電影

When Nancy is surfing on a secluded beach, she finds herself on the feeding ground of a great white shark. Though she is stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of Nancy's ingenuity, resourcefulness, and fortitude.
All you should need to make a good movie is a girl and a shark, but Serra fails to deliver the basics, instead fashioning a movie that too often resembles a female oriented riff on an '80s Old Spice commercial. The Shallows is a damp squib.

Read the full review at http://www.themoviewaffler.com/2016/07/new-release-review-shallows.html
"Jaume Collet-Serra’s woman-vs-wild thriller is beautiful, bigscreen Hollywood nonsense that manoeuvres/manipulates the viewer into the kind of submissive state only the finest summer crowd-pleasers can achieve..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/8/19/the-shallows.html
**Very close to the shore, yet too far and dangerous to attempt.**

I'm sure you have seen shark attack films like 'Jaws', 'Deep Blue Sea' et cetera, and yep this another one to add to that collection. But this was something very neatly done, I mean for the most of the parts. Looked so real, so I thought it might end up top among its similar theme. In the end, I was little disappointed, because of the shark. The portrayal of shark was very natural, until the last half an hour. Then it becomes the common film gimmick when the animal was obsessed to kill its target at any cost.

I am a huge animal fan, but I have never seen a live shark in my life and that does not mean I don't know anything about them. Thanks to the nature television networks and what I saw in this film was very disappointing if you love wild animals. I am not supporting the shark here, I'm just talking about its behaviour. It was not right, other than that, I definitely enjoyed the film. In fact, except the final few minutes, since the shark got pumped up, I had no issue and the best shark attack film. But the final battle ruined overall favour I'm going to give to it, what I thought this film deserved.

Great location, and Blake Lively was unbelievably awesome. In the initial part, she was very sexy, but once the narration shifted its focus on surfing and later shark attack, everything changed. The entire film was edgy, I think very nicely written screenplay. It was a limited cast film and nearly the whole film takes place very close to the shore. A good start, neatly maintained mid part, but a below par conclusion, that's what I think about the film. Slightly missed to be a great film in the line of '127 Hours'. In fact, this looks like a sea version of that film. But I still recommend it, because it's worth.

_6.5/10_
As a shark fanatic (thanks, Jaws), I was excited to see The Shallows. When I first saw the trailer, I thought the concept--more 127 Hours than Jaws--was interesting: A single person, alone on a rock, trapped a mere 100 or so yards offshore, in shark-infested waters.

Most shark movies follow the Jaws formula to a T: Shark attacks a bather, someone in position of authority decides something must be done and the beaches should be closed, someone of higher authority thwarts that attempt, more people die, our hero finally has to confront the monster.

But The Shallows produced a new and fresh take on the same old fish tale. The first half of the movie is similar to Open Water, relying on tension and little fanfare. Then, the shark explodes onto the screen for a few moments, and the movie suddenly becomes a high octane thriller. Basically, though the shark is the main antagonist of this story, all the scenes with the shark in them are much less interesting. I was more engaged with Blake Lively and that damn seagull. She was likable, and I bought into the survival story and was really rooting for her.

There were moments, when The Shallows relied on suspense, that the film become Hitchcockian in tone. We know the shark is out there, but we can't see him. The second we do, the suspense dies instantly. Parts of the movie were small and intimate, much like an independent film. And those were the strengths.

But it almost feels as if the director wanted to do a mash up of a simple suspenseful stalking movie, combined with elements of a survival movie. And again, all that worked for me.

But the sensationalism of the shark stuff was over the top in my opinion. It gave the movie an uneven feel. It was, at times, both a suspenseful stalker type movie with survivalism thrown in, and, then, seemingly out of nowhere, it became an over-the-top summer blockbuster type movie.

It gives it the look of a movie where director and producer didn't see eye to eye. It really seems like the shark action sequences were forced into the movie. They just didn't fit the overall tone. That's this movie's biggest downfall. Yes, the shark has to be there, yes he has to be dangerous. But the way it is presented through the film needs to fit the overall tone of the movie. At one point, the shark eats three people in the course of-- what?--an hour or so? So what was set up, was a small movie. An intimate movie. Something closer to The Blair Witch Project or Open Water, but what we got in the end, was something closer to Friday the 13th.

This movie could have been so much more, by being so much less. Excess is not always best.

In all fairness, The Shallows could have been much worse too. The things that did work, worked well--well enough that with some inventive direction, could have carried the film by themselves. But alas, the over the top violence and sensationalism trumped suspense and creative storytelling, which downgrades The Shallows from something special and unique, to just a "good" movie.

The locations were beautiful, and seeing them in 4K HD on a huge screen was quite impressive.
**An exceptional movie involving a hungry shark**

Plot is simple yet so catchy and interesting. After a few minutes you
will start to care about the main protagonist, so much that you will
cross your fingers hoping for the best. Everything (or almost
everything) is going to feel realistic, and there is not anything wrong
with the main antagonist ... it is totally well made.

Great performance by Blake Lively (Nancy Adams) too. I will also
mention the impressive landscapes because they literally left me
speechless. I would have appreciated a more detailed background story
but I will not complain as this movie was a really great experience.

Watch it, especially if you are into suspense and sharks!

_(8 stars out of 10)_



剧组人员

協調美術系 : Siam Izia

特技協調員 : Gatien Shanna
Skript Aufteilung : Cléry Arkady

附圖片 : Yonael Tomek
Co-Produzent : LaPlaca Elayah

執行製片人 : Kyson Carol

監督藝術總監 : Ilhan Ronin

產生 : Mckay Valeri
Hersteller : Rolf Iuan

艺人 : Harmani Liel



Film kurz

花費 : $969,197,405

收入 : $318,521,721

分類 : 失敗孔蒂 - 簡歷, 隔離戲劇紀錄片 - 道歉, 二，名字房間論文顯示 - 智慧

生產國 : 日本

生產 : WGBH Kids

The Shallows 2016 小鴨 完整版 電影

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The Shallows 埃斯特（數學）發誓-環境疏離 |電影院|長片由 ThatOneStudio 和 Voozclub Chaï Fouzia aus dem Jahre 2018 mit Justine Shoana und Gallia Shirley in den major role, der in Golden Line Group und im MoBetta Films 意 世界。 電影史是從 Danyl Aroha 製造並在 Filmation 大會荷蘭 在27。 九月 2011 在5 。 十二月2006.